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Japanese Language Journals

2012-05-16T21:22:57Z

History:

← Older revision		Revision as of 21:22, 16 May 2012
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	*Nihon gaho / 日本画報 / [http://library.ohio-state.edu/search/c?SEARCH=DS881.98.N542008 DS881.98 .N54 2008]		*Nihon gaho / 日本画報 / [http://library.ohio-state.edu/search/c?SEARCH=DS881.98.N542008 DS881.98 .N54 2008]
	*Nihon gakuho / [http://www.let.osaka-u.ac.jp/nihongaku/kenkyu.zassi/gakuho.html 日本学報] '''(C)''' / 大阪大学文学部日本学研究室 / [http://library.ohio-state.edu/search/c?SEARCH=DS820.8N658 DS820.8N658]		*Nihon gakuho / [http://www.let.osaka-u.ac.jp/nihongaku/kenkyu.zassi/gakuho.html 日本学報] '''(C)''' / 大阪大学文学部日本学研究室 / [http://library.ohio-state.edu/search/c?SEARCH=DS820.8N658 DS820.8N658]
-	*Nihon kenkyu : Kokusai Nihon Bunka Kenkyu Senta kiyo / [http://www.nichibun.ac.jp/graphicversion/dbase/research.html 日本研究 : 国際日本文化研究センタ－紀要] / [http://library.ohio-state.edu/search/c?SEARCH=DS801N44 DS801N44]	+	*Nihon kenkyu : Kokusai Nihon Bunka Kenkyu Senta kiyo / [http://www.nichibun.ac.jp/graphicversion/dbase/research.html 日本研究 : 国際日本文化研究センタ－紀要] '''(F)''' / [http://library.ohio-state.edu/search/c?SEARCH=DS801N44 DS801N44]
	*Nihon rekishi = The Nippon-rekishi / [http://www.yoshikawa-k.co.jp/nihonrekisi.htm 日本歴史 = The Nippon-rekishi] / [http://library.ohio-state.edu/search/c?SEARCH=DS801N46 DS801N46]		*Nihon rekishi = The Nippon-rekishi / [http://www.yoshikawa-k.co.jp/nihonrekisi.htm 日本歴史 = The Nippon-rekishi] / [http://library.ohio-state.edu/search/c?SEARCH=DS801N46 DS801N46]
	*Nihon shi kenkyu / [http://wwwsoc.nii.ac.jp/jhs/journal.html 日本史研究] / [http://library.ohio-state.edu/search/c?SEARCH=DS801N463 DS801N463] / [http://www.worldcat.org/oclc/4733737&referer=brief_results OCLC:4733737]		*Nihon shi kenkyu / [http://wwwsoc.nii.ac.jp/jhs/journal.html 日本史研究] / [http://library.ohio-state.edu/search/c?SEARCH=DS801N463 DS801N463] / [http://www.worldcat.org/oclc/4733737&referer=brief_results OCLC:4733737]

Jiji Manga

2012-05-16T20:59:42Z

No. 383 - 434(1929):

Jiji Manga 400

2012-05-16T20:49:10Z

← Older revision		Revision as of 20:49, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 399\|Previous Issue]]''' [[Image:Jj_mg_400.jpg]] '''[[Jiji Manga 401\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 399\|Previous Issue]]''' [[Image:Jj_mg_400.jpg]] '''[[Jiji Manga 401\|Next Issue ]]''' '''>'''
		+
		+	= May 5, 1929 ''' 丁野君 '''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 五月五日
		+	:時事新報附錄 (日曜畵報第四百號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丁野君 ( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 399

2012-05-16T20:46:20Z

← Older revision		Revision as of 20:46, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 398\|Previous Issue]]''' [[Image:Jj_mg_399.jpg]] '''[[Jiji Manga 400\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 398\|Previous Issue]]''' [[Image:Jj_mg_399.jpg]] '''[[Jiji Manga 400\|Next Issue ]]''' '''>'''
		+
		+	= April 28, 1929 ''' この問の丁野は！ '''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 四月二十八日
		+	:時事新報附錄 (日曜畵報第三百九十九號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. この問の丁野は！　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 398

2012-05-16T19:59:52Z

← Older revision		Revision as of 19:59, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 397\|Previous Issue]]''' [[Image:Jj_mg_398.jpg]] '''[[Jiji Manga 399\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 397\|Previous Issue]]''' [[Image:Jj_mg_398.jpg]] '''[[Jiji Manga 399\|Next Issue ]]''' '''>'''
		+
		+	= April 21, 1929 ''' 丙野大盡の行商 '''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 四月二十一日
		+	:時事新報附錄 (日曜畵報第三百九十八號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丙野大盡の行商 ( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 397

2012-05-16T19:57:58Z

← Older revision		Revision as of 19:57, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 396\|Previous Issue]]''' [[Image:Jj_mg_397.jpg]] '''[[Jiji Manga 398\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 396\|Previous Issue]]''' [[Image:Jj_mg_397.jpg]] '''[[Jiji Manga 398\|Next Issue ]]''' '''>'''
		+
		+	= April 14, 1929 ''' 丁野君と丙野大盡'''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 四月十四日
		+	:時事新報附錄 (日曜畵報第三百九十七號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丁野君と丙野大盡　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 396

2012-05-16T19:51:53Z

← Older revision		Revision as of 19:51, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 395\|Previous Issue]]''' [[Image:Jj_mg_396.jpg]] '''[[Jiji Manga 397\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 395\|Previous Issue]]''' [[Image:Jj_mg_396.jpg]] '''[[Jiji Manga 397\|Next Issue ]]''' '''>'''
		+
		+	= April 7, 1929 ''' 丁野君と丙野大盡'''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 四月七日
		+	:時事新報附錄 (日曜畵報第三百九十六號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丁野君と丙野大盡　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 395

2012-05-16T19:44:55Z

← Older revision		Revision as of 19:44, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 394\|Previous Issue]]''' [[Image:Jj_mg_395.jpg]] '''[[Jiji Manga 396\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 394\|Previous Issue]]''' [[Image:Jj_mg_395.jpg]] '''[[Jiji Manga 396\|Next Issue ]]''' '''>'''
		+
		+	= March 31, 1929 ''' 丙野大盡の新養生法　'''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 三月三十一日
		+	:時事新報附錄 (日曜畵報第三百九十五號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丙野大盡の新養生法　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 394

2012-05-16T19:43:50Z

← Older revision		Revision as of 19:43, 16 May 2012
(One intermediate revision not shown)
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	:: '''<''' '''[[Jiji Manga 393\|Previous Issue]]''' [[Image:Jj_mg_394.jpg]] '''[[Jiji Manga 395\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 393\|Previous Issue]]''' [[Image:Jj_mg_394.jpg]] '''[[Jiji Manga 395\|Next Issue ]]''' '''>'''
		+
		+	= March 24, 1929 ''' 丁野君の養生法　'''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 三月二十四日
		+	:時事新報附錄 (日曜畵報第三百九十四號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丁野君の養生法　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 393

2012-05-16T19:37:34Z

← Older revision		Revision as of 19:37, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 392\|Previous Issue]]''' [[Image:Jj_mg_393.jpg]] '''[[Jiji Manga 394\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 392\|Previous Issue]]''' [[Image:Jj_mg_393.jpg]] '''[[Jiji Manga 394\|Next Issue ]]''' '''>'''
		+
		+	= March 17, 1929 ''' 丙野大盡の病気　 '''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 三月十七日
		+	:時事新報附錄 (日曜畵報第三百九十三號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 丙野大盡の病気　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 392

2012-05-16T19:34:45Z

← Older revision		Revision as of 19:34, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 391\|Previous Issue]]''' [[Image:Jj_mg_392.jpg]] '''[[Jiji Manga 393\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 391\|Previous Issue]]''' [[Image:Jj_mg_392.jpg]] '''[[Jiji Manga 393\|Next Issue ]]''' '''>'''
		+
		+	= March 10, 1929 ''' 筑波山はあれかなんだか…　 '''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 三月十日
		+	:時事新報附錄 (日曜畵報第三百九十二號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 筑波山はあれかなんだか…　( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Jiji Manga 391

2012-05-16T19:27:24Z

← Older revision		Revision as of 19:27, 16 May 2012
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	:: '''<''' '''[[Jiji Manga 390\|Previous Issue]]''' [[Image:Jj_mg_391.jpg]] '''[[Jiji Manga 392\|Next Issue ]]''' '''>'''		:: '''<''' '''[[Jiji Manga 390\|Previous Issue]]''' [[Image:Jj_mg_391.jpg]] '''[[Jiji Manga 392\|Next Issue ]]''' '''>'''
		+
		+	= March 3, 1929 ''' 市會議員選擧– 市政淨化 '''=
		+
		+	:時事漫画 / 主筆北澤樂天, 編輯稲天, 拔天, 久夫稠
		+	:昭和四年 (1929年) 三月三日
		+	:時事新報附錄 (日曜畵報第三百九十一號)
		+	: [http://library.ohio-state.edu/record=b5893190~S7 Call No. PN6790.J32 J55] at [http://cartoons.osu.edu/ Cartoon Library & Museum]
		+
		+	=== Transcription of Contents ===
		+
		+	:1. 市會議員選擧 – 市政淨化, 市議雛を買ふには利慾や私心がなくてもボンクラではだめちや ( political cartoon by 樂天)
		+	:2.
		+	:3.
		+	:4.
		+	:5.
		+	:6.
		+	:7.
		+	:8.
		+
		+	==Key words, alternate romanizations, translations ==
		+	* [[Kitazawa, Rakuten]] (北沢楽天 1876-1955)
		+
		+	==References==
		+	*
		+
		+	== Related and contextual resources==
		+	*
		+
		+
		+	[[Image:EAILP_SLOGO4.jpg\|right]]

Cultural References in Manga

2012-05-16T17:52:16Z

Buddha by Osamu Tezuka:

← Older revision		Revision as of 17:52, 16 May 2012
(6 intermediate revisions not shown)
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	'''Volume 3'''[[File:Assaji 24165.jpg\|thumb\|Sharaku Hosuke playing the role of Assaji]]		'''Volume 3'''[[File:Assaji 24165.jpg\|thumb\|Sharaku Hosuke playing the role of Assaji]]
-	*in Volume 3, some important characters in the Pali canon are ~~shown~~. The character [http://www.palikanon.com/english/pali_names/ay/assaji.htm Assaji] is introduced on page 19 and [http://www.palikanon.com/english/pali_names/d/devadatta.htm Devadatta] is seen on page 48. Both of them are based off important historical people that played a role in Buddha's life.	+	*in Volume 3, some important characters from the Pali canon are introduced. The character [http://www.palikanon.com/english/pali_names/ay/assaji.htm Assaji] is introduced on page 19 and [http://www.palikanon.com/english/pali_names/d/devadatta.htm Devadatta] is seen on page 48. Both of them are based off important historical people that played a role in Buddha's life.
	*The beginning of volume 3 illustrates the beginning of his six years worth of ordeals which Siddhartha underwent before he became enlighten and realize the uselessness of them.		*The beginning of volume 3 illustrates the beginning of his six years worth of ordeals which Siddhartha underwent before he became enlighten and realize the uselessness of them.
	*''The Way of Siddhartha'' suggests, contrary to the manga, that Devadatta actually grew up with Siddhartha and was his cousin. According to the ''Buddha'', Devadatta was the son of Bandaka and a noblewoman and was born a few years before Siddhartha left the palace to discover enlightenment.		*''The Way of Siddhartha'' suggests, contrary to the manga, that Devadatta actually grew up with Siddhartha and was his cousin. According to the ''Buddha'', Devadatta was the son of Bandaka and a noblewoman and was born a few years before Siddhartha left the palace to discover enlightenment.
Line 75:		Line 75:

	'''Volume 7'''		'''Volume 7'''
-	[[File:~~Rajgirstupa~~.~~jpg‎~~\|~~200px~~\|thumb\|left\|The Venuvana Monastery that King Bimbisara gave to Buddha in Rajgir, India]]	+	[[File:VenuvanaMonastery.jpg\|230px\|thumb\|left\|The Venuvana Monastery that King Bimbisara gave to Buddha in Rajgir, India]]
	*King Bimbisara offers Kalandaka Bamboo grove to Buddha which becomes the Venuvana monastery, one of the main monasteries that Buddha taught from.		*King Bimbisara offers Kalandaka Bamboo grove to Buddha which becomes the Venuvana monastery, one of the main monasteries that Buddha taught from.
	*Prince Ajatasattu is often depicted as being greedy and power hungry in the canon; however, in the manga, Prince Ajatasattu cares deeply for father and only wants his father to live without fear. This mindset isn't seen in the prince until after King Bimbisara put the girl the prince cares for to death. At one point, the prince was even willing to give up his position to become a slave with Yudelka. Devadatta uses the prince's grief to form a plan to get back at Buddha and the king.		*Prince Ajatasattu is often depicted as being greedy and power hungry in the canon; however, in the manga, Prince Ajatasattu cares deeply for father and only wants his father to live without fear. This mindset isn't seen in the prince until after King Bimbisara put the girl the prince cares for to death. At one point, the prince was even willing to give up his position to become a slave with Yudelka. Devadatta uses the prince's grief to form a plan to get back at Buddha and the king.
Line 84:		Line 84:
	*Buddha meets Visakha again. She has completely lost her mind to the potions she was taking to preserve her youth, but eventually she comes back to her senses and realize the consequences of her mistakes. By the end of volume 7, she has become a disciple of Buddha like she was in the Pali canon.		*Buddha meets Visakha again. She has completely lost her mind to the potions she was taking to preserve her youth, but eventually she comes back to her senses and realize the consequences of her mistakes. By the end of volume 7, she has become a disciple of Buddha like she was in the Pali canon.
	*Ahimsa eventually becomes a disciple of Buddha right before his death and is reborn as a new person free of suffering which correlates to canon.		*Ahimsa eventually becomes a disciple of Buddha right before his death and is reborn as a new person free of suffering which correlates to canon.
-	*Prince Crystal is illustrated attacking the Shakya because of how they had treated him while he was a student at the Kapilavastu's schools. In the Pali canon, the Prince Crystal is consumed with greedy and hatred that it ends up being the death of him. However, in the manga, Buddha convinces the Prince Crystal that he will gain nothing but suffering if he ~~continues~~ to occupy Kapilavastu.	+	*Prince Crystal is illustrated attacking the Shakya because of how they had treated him while he was a student at the Kapilavastu's schools. In the Pali canon, the Prince Crystal is consumed with greedy and hatred that it ends up being the death of him. However, in the manga, Buddha convinces the Prince Crystal that he will gain nothing but suffering if he continued to occupy Kapilavastu. According to canon, this could be counted as one of the four times that Buddha persuades Prince Crystal away.

	'''Volume 8'''		'''Volume 8'''
		+	*Devadatta causes the group of monks to split after Buddha travels to different locations to teach the Dharma to others. He is able to split the group because Prince Ajatasattu orders a decree that the monks there must follow Devadatta. The prince becomes the king after Devadatta stops giving King Bimbisara a poison that the king is now addicted to. [http://www.buddhanet.net/e-learning/buddhism/disciples15.htm Canon] states that Prince Ajatasattu tried to kill his father but failed and once the king discovers what Prince Ajatasattu had plan to do, the king decided to step down and give the throne to Ajatasattu. In the manga, the throne is forcibly taken from King Bimbisara and he is thrown into prison.
		+	*Once Devadatta had obtained 300 monks, they traveled to Elephant's Head Mountain which is the same location that Buddha gave his sermon on fire to the Kassapa brothers' followers.
		+	*[http://www.sgilibrary.org/view.php?page=1086 Sudatta] was a rich merchant that sold everything he had so he cover a fraction of the Jetavana monastery with gold. In both the canon and the manga, Sudatta comes across a dangerous spirit until Buddha indirectly sames him. After witnessing the glow and power of Buddha, he desires to build Buddha a magnificent temple. The full story can be found in [http://osu.worldcat.org/oclc/54685549 ''The Gospel of Buddha: According to Old records''].
		+	*King Virudhaka/Crystal attacks and destroys the Shakya after they attack Kosalan soldiers. Tales about the massacre of the Shakya states that Virudhaka attacked them out of angry and only after be turn away by Buddha four previous times. The manga paints Virduhaka as a kinder character than how he is typically represented in Buddhist texts.
		+	*An interesting aspect to the manga series, is that it began and ended with Jataka Tale No. 316 and Buddha retells the story that Asita told to Naradatta at the beginning of the series. At the end, Buddha mentions how he had seen Assaji sacrifice himself to a wolf family.
		+	*Buddha gives his last sermon to Subhadda, who was his last convert, even though he was extremely ill.
		+	*On page 359, there is a relief depicting Buddha's death and a similar looking sandstone relief can be found in the Buddha Tooth Relic Museum and Temple located in Singapore.

	'''Tezuka's Star System and Characters Seen in ''Buddha'''''		'''Tezuka's Star System and Characters Seen in ''Buddha'''''

File:VenuvanaMonastery.jpg

2012-05-11T17:53:24Z

uploaded "[[File:VenuvanaMonastery.jpg]]" The monastery that King Bimbisara gave to Buddha when he first achieved enlightenment and traveled back to Magadha.

Cultural References in Manga

2012-05-11T17:50:35Z

Buddha by Osamu Tezuka:

← Older revision		Revision as of 17:50, 11 May 2012
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	'''Volume 7'''		'''Volume 7'''
		+	[[File:Rajgirstupa.jpg‎\|200px\|thumb\|left\|The Venuvana Monastery that King Bimbisara gave to Buddha in Rajgir, India]]
	*King Bimbisara offers Kalandaka Bamboo grove to Buddha which becomes the Venuvana monastery, one of the main monasteries that Buddha taught from.		*King Bimbisara offers Kalandaka Bamboo grove to Buddha which becomes the Venuvana monastery, one of the main monasteries that Buddha taught from.
	*Prince Ajatasattu is often depicted as being greedy and power hungry in the canon; however, in the manga, Prince Ajatasattu cares deeply for father and only wants his father to live without fear. This mindset isn't seen in the prince until after King Bimbisara put the girl the prince cares for to death. At one point, the prince was even willing to give up his position to become a slave with Yudelka. Devadatta uses the prince's grief to form a plan to get back at Buddha and the king.		*Prince Ajatasattu is often depicted as being greedy and power hungry in the canon; however, in the manga, Prince Ajatasattu cares deeply for father and only wants his father to live without fear. This mindset isn't seen in the prince until after King Bimbisara put the girl the prince cares for to death. At one point, the prince was even willing to give up his position to become a slave with Yudelka. Devadatta uses the prince's grief to form a plan to get back at Buddha and the king.

File:Rajgirstupa.jpg

2012-05-11T17:43:40Z

uploaded "[[File:Rajgirstupa.jpg]]" A picture of the Venuvana monastery the King Bimbisara gave to the Buddha.

Cultural References in Manga

2012-05-11T17:32:27Z

Buddha by Osamu Tezuka:

← Older revision		Revision as of 17:32, 11 May 2012
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	====[http://library.ohio-state.edu/record=b5911744~S7 ''Buddha''] by Osamu Tezuka====		====[http://library.ohio-state.edu/record=b5911744~S7 ''Buddha''] by Osamu Tezuka====
-	''~~Ran from~~ 1972-1983''	+	''Original Run: 1972-1983''
	[[File:Buddha-1647005.jpg\|150px\|thumb\|left\|The Northern Gateway of the Great Stupa of Sanchi as seen in ''Buddha'']]'''Volume 1'''		[[File:Buddha-1647005.jpg\|150px\|thumb\|left\|The Northern Gateway of the Great Stupa of Sanchi as seen in ''Buddha'']]'''Volume 1'''
	*The Northern Gateway of the Great Stupa of Sanchi Gate on page 11. It depicts numerous scenes from Buddha's last life and his previous incarnations		*The Northern Gateway of the Great Stupa of Sanchi Gate on page 11. It depicts numerous scenes from Buddha's last life and his previous incarnations
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	*An early reference to the demon Mara could be shown though Yashodara. On page 298, Siddhartha tells a "devil" to stop tempting him to leave the roof of the building and join Yashodara.		*An early reference to the demon Mara could be shown though Yashodara. On page 298, Siddhartha tells a "devil" to stop tempting him to leave the roof of the building and join Yashodara.
	*Five ascetics are brought to make Siddhartha move from the roof. The ascetics are representations of the five ascetics that Siddhartha meets later in the Forest of Uruvela, according to the Pali canon, on in his journey to reach enlightenment [http://www.buddhanet.net/e-learning/buddhism/lifebuddha/18lbud.htm].		*Five ascetics are brought to make Siddhartha move from the roof. The ascetics are representations of the five ascetics that Siddhartha meets later in the Forest of Uruvela, according to the Pali canon, on in his journey to reach enlightenment [http://www.buddhanet.net/e-learning/buddhism/lifebuddha/18lbud.htm].
-	*There are some discrepancies between the manga and the actual story of Buddha. In the manga, Siddhartha is about 17 or 18 years old when he leaves, where according to Buddhist stories, he is approximately 29 years old when he departs. It is said that Tezuka did this in order to make the character more relatable to the younger demographic. When he leaves, he departs with a servant named Channa which can be observed in both the Pali ~~cannon~~ and ''Buddha''.	+	*There are some discrepancies between the manga and the actual story of Buddha. In the manga, Siddhartha is about 17 or 18 years old when he leaves, where according to Buddhist stories, he is approximately 29 years old when he departs. It is said that Tezuka did this in order to make the character more relatable to the younger demographic. When he leaves, he departs with a servant named Channa which can be observed in both the Pali canon and ''Buddha''.

	'''Volume 3'''[[File:Assaji 24165.jpg\|thumb\|Sharaku Hosuke playing the role of Assaji]]		'''Volume 3'''[[File:Assaji 24165.jpg\|thumb\|Sharaku Hosuke playing the role of Assaji]]
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	*''The Way of Siddhartha'' suggests, contrary to the manga, that Devadatta actually grew up with Siddhartha and was his cousin. According to the ''Buddha'', Devadatta was the son of Bandaka and a noblewoman and was born a few years before Siddhartha left the palace to discover enlightenment.		*''The Way of Siddhartha'' suggests, contrary to the manga, that Devadatta actually grew up with Siddhartha and was his cousin. According to the ''Buddha'', Devadatta was the son of Bandaka and a noblewoman and was born a few years before Siddhartha left the palace to discover enlightenment.
	*While Devadatta was living with Naradatta in the forest, Naradatta introduces Devadatta to idea of natural selection or "the weak perish. the strong survive". This is an early concept of evolutionary thought. It is considered an opposite philosophy to the philosophy of Buddhism. Including this passage, presents two different and conflicting beliefs. Buddhism deals with being considerate to other beings, where natural selection is the idea of every creature fending for itself.		*While Devadatta was living with Naradatta in the forest, Naradatta introduces Devadatta to idea of natural selection or "the weak perish. the strong survive". This is an early concept of evolutionary thought. It is considered an opposite philosophy to the philosophy of Buddhism. Including this passage, presents two different and conflicting beliefs. Buddhism deals with being considerate to other beings, where natural selection is the idea of every creature fending for itself.
-	*Another important character in the Pali ~~cannon~~, is [http://ssubbanna.sulekha.com/blog/post/2009/02/the-early-buddhist-women-five-visakha.htm Visakha]. She was one of the first disciples of Buddha and even built a magnificent temple in honor to the Brahim and later for Buddha. In the manga, Visakha removed the Brahim from her city because of a plaque; however, she was intrigued by Siddhartha because of his nobility and still wanting to become an ascetic. She is shown obsessed with potions and retaining her age and beauty, which is a contradiction to the Pali description of her. In the ~~cannon~~, she is often shown as a prime example of a religious woman and followed Buddha from a young age.	+	*Another important character in the Pali canon, is [http://ssubbanna.sulekha.com/blog/post/2009/02/the-early-buddhist-women-five-visakha.htm Visakha]. She was one of the first disciples of Buddha and even built a magnificent temple in honor to the Brahim and later for Buddha. In the manga, Visakha removed the Brahim from her city because of a plaque; however, she was intrigued by Siddhartha because of his nobility and still wanting to become an ascetic. She is shown obsessed with potions and retaining her age and beauty, which is a contradiction to the Pali description of her. In the canon, she is often shown as a prime example of a religious woman and followed Buddha from a young age.
-	*[http://www.buddhanet.net/e-learning/buddhism/lifebuddha/2_3lbud.htm King Bimbisara] is also introduced, who becomes one of Buddha's followers and is another important character in Buddhist literature. In the manga, he plays a similar role to the story as he does in the ~~cannon~~.	+	*[http://www.buddhanet.net/e-learning/buddhism/lifebuddha/2_3lbud.htm King Bimbisara] is also introduced, who becomes one of Buddha's followers and is another important character in Buddhist literature. In the manga, he plays a similar role to the story as he does in the canon.

	'''Volume 4'''		'''Volume 4'''
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	'''Volume 5'''		'''Volume 5'''
	*The beginning of the manga sets up the image of Devadatta being ambitious and greedy. In the canon. not much is said about Devadatta before he joins Buddha, other than he is related to Siddhartha.		*The beginning of the manga sets up the image of Devadatta being ambitious and greedy. In the canon. not much is said about Devadatta before he joins Buddha, other than he is related to Siddhartha.
		+	*Ajatasattu means "one who is an enemy of his own clan from even before his birth" and a foreshadow to his future and correlates to the prediction that Assaji made.
	*The tale of the killer elephant, Nalagiri, is also Jataka [http://www.sacred-texts.com/bud/j5/j5026.htm No. 533]. In the actual jataka, Devadatta releases the elephant to kill Buddha; however, in the manga, the elephant attacks Prince Ajatasattu instead. The reason for the elephant's vicious behavior in the manga and jataka are also different. In the manga, the elephant is dangerous because of its child being killed by a hunter, thus it is acting out its rage on any human it encounters. In the jataka, Devadatta gave it a large quantity of alcohol and releases it in Buddha's path. By changing this fact, it sets up the rest of the story by placing Devadatta in the prince's good graces.		*The tale of the killer elephant, Nalagiri, is also Jataka [http://www.sacred-texts.com/bud/j5/j5026.htm No. 533]. In the actual jataka, Devadatta releases the elephant to kill Buddha; however, in the manga, the elephant attacks Prince Ajatasattu instead. The reason for the elephant's vicious behavior in the manga and jataka are also different. In the manga, the elephant is dangerous because of its child being killed by a hunter, thus it is acting out its rage on any human it encounters. In the jataka, Devadatta gave it a large quantity of alcohol and releases it in Buddha's path. By changing this fact, it sets up the rest of the story by placing Devadatta in the prince's good graces.
	*In the Pali canon, Devadtta impressed the prince by appearing to him as snake and showing other his supernatural abilities. this can be compared to the manga because instead of showing the prince supernatural abilities, Devadatta shows the young prince various card tricks and other things that also impresses the prince.		*In the Pali canon, Devadtta impressed the prince by appearing to him as snake and showing other his supernatural abilities. this can be compared to the manga because instead of showing the prince supernatural abilities, Devadatta shows the young prince various card tricks and other things that also impresses the prince.
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	*Kusinagara is the city in which Ananda and his mother hide from the Kosalan army and it is an important location in Buddhism because it is the site of Buddha's death and cremation.		*Kusinagara is the city in which Ananda and his mother hide from the Kosalan army and it is an important location in Buddhism because it is the site of Buddha's death and cremation.
	*In many stories, Ananda is closely associated with women. Lata lets the reader see that Ananda has a patience and kindness toward women that many men during this time did not have.		*In many stories, Ananda is closely associated with women. Lata lets the reader see that Ananda has a patience and kindness toward women that many men during this time did not have.
-	*The tale of Angilimala is another common story in Buddhism. It is about how even a person that has committed horrible crimes can find redemption. In the actual story, Ahimsa/Angilimala is ordered to collect 1000 fingers by his mentor because of his jealous classmates convince the brahmin that Ahimsa is having an affair with the brahmin's wife. In the manga, it is the wife that convinces the brahmin that Ahimsa tried to have an affair with her and he is hypnotized to collect one hundred fingers, not 1000. In the original story of Angilimala, he becomes a monk after Buddha converts him and in volume 6, it is unknown rather this will also occur in the manga.	+	*The tale of Angilimala is another common story in Buddhism. It is about how even a person that has committed horrible crimes can find redemption. In the actual story, Ahimsa/Angilimala is ordered to collect 1000 fingers by his mentor because his jealous classmates convince the brahmin that Ahimsa is having an affair with the brahmin's wife. Ahimsa means "to do no harm".
		+	*In the manga, it is the wife that convinces the brahmin that Ahimsa tried to have an affair with her and he is hypnotized to collect one hundred fingers, not 1000. In the original story of Angilimala, he becomes a monk after Buddha converts him and in volume 6, it is unknown rather this will also occur in the manga.
	*Other characters that show up are the Kassapa brothers. The first one focused on was [http://www.sacred-texts.com/bud/btg/btg20.htm Uruvela Kassapa]. In the manga, Buddha wants to sleep in the sacred dome to save Ananda from Mara and Uruvela. Both in the manga and stories about Uruvela, does not want Buddha to stay in the dome because of a fearsome serpent demon is in it. Also, Buddha defeats Mara, saves Ananda, and by doing so he demonstrates his ability to both Uruvela and Ananda. They convert after witnessing it.		*Other characters that show up are the Kassapa brothers. The first one focused on was [http://www.sacred-texts.com/bud/btg/btg20.htm Uruvela Kassapa]. In the manga, Buddha wants to sleep in the sacred dome to save Ananda from Mara and Uruvela. Both in the manga and stories about Uruvela, does not want Buddha to stay in the dome because of a fearsome serpent demon is in it. Also, Buddha defeats Mara, saves Ananda, and by doing so he demonstrates his ability to both Uruvela and Ananda. They convert after witnessing it.
	*The two brothers of Uruvela, Nadi and Gaya, are seen next. They are converted in a similar manner as Uruvela was. First, they shun Buddha because they think he must have brainwashed their brother in order to convert him from their fire cult. In reality, they realize that Uruvela converted because of the words and powers that Buddha possessed.		*The two brothers of Uruvela, Nadi and Gaya, are seen next. They are converted in a similar manner as Uruvela was. First, they shun Buddha because they think he must have brainwashed their brother in order to convert him from their fire cult. In reality, they realize that Uruvela converted because of the words and powers that Buddha possessed.
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	*King Bimbisara offers Kalandaka Bamboo grove to Buddha which becomes the Venuvana monastery, one of the main monasteries that Buddha taught from.		*King Bimbisara offers Kalandaka Bamboo grove to Buddha which becomes the Venuvana monastery, one of the main monasteries that Buddha taught from.
	*Prince Ajatasattu is often depicted as being greedy and power hungry in the canon; however, in the manga, Prince Ajatasattu cares deeply for father and only wants his father to live without fear. This mindset isn't seen in the prince until after King Bimbisara put the girl the prince cares for to death. At one point, the prince was even willing to give up his position to become a slave with Yudelka. Devadatta uses the prince's grief to form a plan to get back at Buddha and the king.		*Prince Ajatasattu is often depicted as being greedy and power hungry in the canon; however, in the manga, Prince Ajatasattu cares deeply for father and only wants his father to live without fear. This mindset isn't seen in the prince until after King Bimbisara put the girl the prince cares for to death. At one point, the prince was even willing to give up his position to become a slave with Yudelka. Devadatta uses the prince's grief to form a plan to get back at Buddha and the king.
-	*The meeting between Ananda and Sariputta actually occurred between Assaji and Sariputta. In the manga, Assaji is watching over Ananda and protecting him from harm. Sariputta see this in Ananda's complexion and eyes and asks Ananda to tell him what his teacher preaches. According to the Pali ~~cannon~~, Sariputta stops Assaji because of the serene expression he wears. When Moggallana meets with Sariputta after his travels, Moggallana notices right away that Sariputta has discovered some great truth and this occurs both in the manga and the ~~cannon~~.	+	*The meeting between Ananda and Sariputta actually occurred between Assaji and Sariputta. In the manga, Assaji is watching over Ananda and protecting him from harm. Sariputta see this in Ananda's complexion and eyes and asks Ananda to tell him what his teacher preaches. According to the Pali canon, Sariputta stops Assaji because of the serene expression he wears. When Moggallana meets with Sariputta after his travels, Moggallana notices right away that Sariputta has discovered some great truth and this occurs both in the manga and the canon.
		+	*Moggallana's and Sariputta's first teacher is Sanjaya who taught a form of agnosticism and to have disbelief in everything.
	*It is in this volume that Ananda becomes Buddha's personal attendant like Moggallana predicted that Ananda would become. Buddha decides after Lata sacrifices herself for Buddha. According to the stories about Ananda, he has always had a soft spot for women in the monastery. This typical image of Ananda is greater enforced by his behavior with Lata and how if they were not nun and monk, they would be together as husband and wife.		*It is in this volume that Ananda becomes Buddha's personal attendant like Moggallana predicted that Ananda would become. Buddha decides after Lata sacrifices herself for Buddha. According to the stories about Ananda, he has always had a soft spot for women in the monastery. This typical image of Ananda is greater enforced by his behavior with Lata and how if they were not nun and monk, they would be together as husband and wife.
-	*Buddha meets Visakha again. She has completely lost her mind to the potions she was taking to preserve her youth, but eventually she comes back to her senses and realize the consequences of her mistakes. By the end of volume 7, she has become a disciple of Buddha like she was in the Pali ~~cannon~~.	+	*The final straw that destroys the relationship between Devadatta and Buddha is shown to be when Devadatta asks Buddha to retire and name him as the successor. However, Buddha states he cannot stand the sight of Devadatta and this event eventually leads to Devadatta betraying Buddha. Even Moggallana states this after Devadatta leaves the monastery.
-	*Ahimsa eventually becomes a disciple of Buddha right before his death and is reborn as a new person free of suffering.	+	*Buddha meets Visakha again. She has completely lost her mind to the potions she was taking to preserve her youth, but eventually she comes back to her senses and realize the consequences of her mistakes. By the end of volume 7, she has become a disciple of Buddha like she was in the Pali canon.
-	*Prince Crystal is illustrated attacking the Shakya because of how they had treated him while he was a student at the Kapilavastu's schools.	+	*Ahimsa eventually becomes a disciple of Buddha right before his death and is reborn as a new person free of suffering which correlates to canon.
		+	*Prince Crystal is illustrated attacking the Shakya because of how they had treated him while he was a student at the Kapilavastu's schools. In the Pali canon, the Prince Crystal is consumed with greedy and hatred that it ends up being the death of him. However, in the manga, Buddha convinces the Prince Crystal that he will gain nothing but suffering if he continues to occupy Kapilavastu.

	'''Volume 8'''		'''Volume 8'''
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	Tezuka is known for using a [http://tezukainenglish.com/bm/characters/index.shtml Star System] for iconic characters.		Tezuka is known for using a [http://tezukainenglish.com/bm/characters/index.shtml Star System] for iconic characters.
-	In ''Buddha'', the Star System can be seen with a variety of characters. Characters with notable roles are [http://tezukainenglish.com/bm/characters/stars_q-z/sharaku-hosuke-aka-asaji.shtml Sharaku Hosuke]as Assaji, [http://tezukaosamu.net/en/character/1299.html Rock Holmes] as King Bimbisara, and [http://tezukainenglish.com/bm/characters/stars_a-g/duke-red.shtml Duke Red] in the role of Prince Siddhartha'a doctor. A debatable character present in ''Buddha'' is [http://tezukainenglish.com/bm/analysis/analysis-essays/rock-holmes-transformation-part-three-resolution-b.shtml Yuki Michio] as Devadatta. Osamu Tezuka appears as himself in various cameos along with a variety of other characters. Volume 1 features cameos from Tezuka, [http://tezukaosamu.net/en/character/144.html Professor Ochanomizu], and Duke Red who acts as doctors for Chapra when he is injured in his duel with Bandaka. In volume 4, both [http://tezukaosamu.net/en/manga/381.html Big X] and [http://tezukaosamu.net/en/character/290.html Saruta] appear. Big X is seen fighting Yatala on page 306. Saruta is seen as the doctor of Sujuta on pg. 201 and 216. In volume 6, [http://tezukaosamu.net/en/character/572.html Ban Shunsuke] appears playing his typical role as a detective on pg. 46. He plays the role of Detective Pampas. In the same volume, Saruta is introduced as another character, Uruvela Kassapa on page 169.	+	In ''Buddha'', the Star System can be seen with a variety of characters. Characters with notable roles are [http://tezukainenglish.com/bm/characters/stars_q-z/sharaku-hosuke-aka-asaji.shtml Sharaku Hosuke]as Assaji, [http://tezukaosamu.net/en/character/1299.html Rock Holmes] as King Bimbisara, and [http://tezukainenglish.com/bm/characters/stars_a-g/duke-red.shtml Duke Red] in the role of Prince Siddhartha'a doctor. A debatable character present in ''Buddha'' is [http://tezukainenglish.com/bm/analysis/analysis-essays/rock-holmes-transformation-part-three-resolution-b.shtml Yuki Michio] as Devadatta. Osamu Tezuka appears as himself in various cameos along with a variety of other characters. Volume 1 features cameos from Tezuka, [http://tezukaosamu.net/en/character/144.html Professor Ochanomizu], and Duke Red who acts as doctors for Chapra when he is injured in his duel with Bandaka. In volume 4, both [http://tezukaosamu.net/en/manga/381.html Big X] and [http://tezukaosamu.net/en/character/290.html Saruta] appear. Big X is seen fighting Yatala on page 306. Saruta is seen as the doctor of Sujuta on pg. 201 and 216. In volume 6, [http://tezukaosamu.net/en/character/572.html Ban Shunsuke] appears playing his typical role as a detective on pg. 46. He plays the role of Detective Pampas. In the same volume, Saruta is introduced as another character, Uruvela Kassapa on page 169 and Ananda hallucinates that Ahimsa is Black Jack when he falls ill with an infection. At the end of the next volume, "Prince Ajatasattu", Buddha appears as Black Jack when he tells Prince Crystal that "He is a doctor" and Tezuka makes another cameo.

	==Historical Figures==		==Historical Figures==
	===''Adolf'' by Osamu Tezuka===		===''Adolf'' by Osamu Tezuka===

← Older revision		Revision as of 20:59, 16 May 2012
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	: [[Jiji Manga 402]] 1929 May 19		: [[Jiji Manga 402]] 1929 May 19
	: [[Jiji Manga 401]] 1929 May 12		: [[Jiji Manga 401]] 1929 May 12
-	: [[Jiji Manga 400]] 1929 May 5	+	: [[Jiji Manga 400]] 1929 May 5 丁野君

	<u> April. 1929 </u>		<u> April. 1929 </u>
-	: [[Jiji Manga 399]] 1929 April 28	+	: [[Jiji Manga 399]] 1929 April 28 この問の丁野は！
-	: [[Jiji Manga 398]] 1929 April 21	+	: [[Jiji Manga 398]] 1929 April 21 丙野大盡の行商
-	: [[Jiji Manga 397]] 1929 April 14	+	: [[Jiji Manga 397]] 1929 April 14 丁野君と丙野大盡
-	: [[Jiji Manga 396]] 1929 April 7	+	: [[Jiji Manga 396]] 1929 April 7 丁野君と丙野大盡

	<u> March. 1929 </u>		<u> March. 1929 </u>
-	: [[Jiji Manga 395]] 1929 March 31	+	: [[Jiji Manga 395]] 1929 March 31 丙野大盡の新養生法
-	: [[Jiji Manga 394]] 1929 March 24	+	: [[Jiji Manga 394]] 1929 March 24 丁野君の養生法
-	: [[Jiji Manga 393]] 1929 March 17	+	: [[Jiji Manga 393]] 1929 March 17 丙野大盡の病気
-	: [[Jiji Manga 392]] 1929 March 10	+	: [[Jiji Manga 392]] 1929 March 10 筑波山はあれかなんだか…
-	: [[Jiji Manga 391]] 1929 March 3	+	: [[Jiji Manga 391]] 1929 March 3 市會議員選擧– 市政淨化

	<u> February. 1929 </u>		<u> February. 1929 </u>